Edvard Munch
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![]() THE SCREAM surreal art canvas EDVARD MUNCH giclee print new US $7.96
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![]() THE GIRL BY THE WINDOW Edvard MUNCH art canvas print new US $7.96
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![]() EVENING ON KARL JOHAN by painter Edvard Munch Canvas Art print new US $7.96
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![]() The Scream c1893 Art Print by Edvard Munch 16x20 US $19.99
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![]() ART PRINT The Scream Edvard Munch US $4.75
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"The Scream" Painting by Edvard Munch reflected/affected society?
How did the painting "The Scream" by Edvard Munch affect or reflect society during the Romanticism period? What message did it give to society and how did it relate to the Romanticism period? Oh and what did the painting symbolize?
Any help would be much appreciated, I tried looking everywhere but couldn't find anything :[ Thanks!
It is said by some to symbolize modern man taken by an attack of existential angst. The landscape in the background is Oslofjord, viewed from the hill of Ekeberg. The Norwegian word skrik is usually translated as "scream", but is cognate with the English shriek.
Munch wrote, concerning the image:
I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there was blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.
This has led some commentators to propose that the person in the painting is not screaming, but reacting with despair to the scream passing through nature.
The scene is from a road overlooking Oslo, the Oslofjord and Hovedøya, from the hill of Ekeberg.
In 2003, astronomers claimed to have identified the time that the painting depicted. The eruption of Krakatoa in 1883 caused unusually intense sunsets throughout Europe in the winter of 1883-4, which Munch captured in his picture. (http://www.guardian.co.uk/arts/news/story/0,11711,1103612,00.html)
In 1978, the renowned Munch scholar Robert Rosenblum suggested that the strange, sexless creature in the foreground of the painting was probably inspired by a Peruvian mummy which Munch could have seen at the 1889 Exposition Universelle in Paris. This mummy, which was crouching in fetal position with its hands alongside its face, also struck the imagination of Munch's friend Paul Gauguin: it stood model for the central figure in his painting Human misery (Grape harvest at Arles) and for the old woman at the left in his painting Where Do We Come From? What Are We? Where Are We Going?. More recently, an Italian anthropologist speculated that Munch might have seen a mummy in Florence's Museum of Natural History which bears an even more striking resemblance to the painting. (http://dsc.discovery.com/news/briefs/20040906/scream.html)
It should also be noted that Munch's manic depressive sister Laura Cathrine was interned in the mental hospital at the foot of Ekeberg.
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